The global resurgence of disco and funk-driven electronic music has found a dedicated home in Discoweey, a relatively new but highly respected imprint founded by the veteran producer Hotmood. With over thirty years of experience in the music industry, Hotmood has channeled his extensive knowledge of organic grooves into a platform that prioritizes soulful storytelling and rhythmic authenticity. Their latest offering, “I Like To Dance” by the enigmatic project The Move, is a definitive example of the label’s commitment to high-quality, dance-focused production. Released as a single track on March 19th, 2026, it serves as a powerful reminder of the enduring appeal of the disco aesthetic.
“I Like To Dance” is built around a heavy, syncopated bassline that immediately commands the listener’s attention. The track utilizes a rich palette of organic-sounding elements, from crisp percussion hits to layered rhythmic sections that create a constant sense of forward motion. The arrangement is expertly balanced, allowing the core groove to breathe while subtly introducing melodic fragments that keep the energy high. The production quality is exceptional, avoiding the overly-polished feel of many mainstream releases in favor of a more authentic, club-focused approach. There is a palpable energy to the track that reflects Hotmood’s background in the classic disco and funk scenes.
This release successfully captures the spirit of the late 70s underground dancefloor while utilizing modern technology to ensure it translates perfectly to a contemporary club system. This release follows a string of successful outputs from Discoweey, which has already garnered support from major players across the house and disco spectrum. The absence of remixers on this single ensures that the primary artist’s vision remains uncompromised, allowing the “Original Mix” to shine in its purest form.
On the dancefloor, “I Like To Dance” is a versatile and powerful tool. Its consistent rhythmic drive and infectious energy make it an ideal choice for a peak-time set, particularly in settings that appreciate a more sophisticated, groove-heavy selection. Whether it is being played at a late-night basement party or a mid-afternoon terrace session, the track’s physical impact is undeniable. As Discoweey continues to build its catalog of rare and organic grooves, “I Like To Dance” stands as a significant milestone for both the label and the producer involved. It is an essential addition to any collection focused on the intersection of classic soul and modern electronic music.